Colour key
R234p567Each colour is a scale degree, counted from the key. A ♭ or ♯ note keeps its degree's colour: ♭3 is still amber.
D♭ Phrygian dominant
♭2 with a major 3rd. Spanish, flamenco, Middle-Eastern.
Where you hear it: Over V7(♭9) resolving to a minor i.
Step pattern H – W+H – H – W – H – W – W
- Parent scale: F♯ harmonic minor (starts on its 5th degree)
- Compared with D♭ major: ♭2 E♭ → E♭♭, ♭6 B♭ → B♭♭, ♭7 C → C♭
- Compared with D♭ natural minor: ♭2 E♭ → E♭♭, ♯3 F♭ → F
D♭ Phrygian dominant on the guitar
Pick a position below to outline it on the neck.
in the pentatonic r ♭2 3 5 ♭6: playedother notes of Phrygian dominant: not playedPlay runs up the position from its lowest note and back down; Sample melody plays a short tune using only its notes. Tap a position's name to see it on the neck.
Modes with the same notes as D♭ Phrygian dominant
Every chord in D♭ Phrygian dominant
- D♭71/17easyfret 6· shell
- E♭♭maj71/18easyopen
- Fdim71/4easyfret 3
- G♭m(maj7)1/4mediumfret 9
- A♭m7♭51/14easyfret 4· shell
- B♭♭maj7♯51/9easyfret 5· shell
- C♭m71/24easyopen
Each chord stacks every other note of the scale (root, 3rd, 5th, 7th). Tap a row to hear it.
Iconic progressions in D♭ Phrygian dominant
A few well-known chord loops that bring out this scale’s sound. Play one through, or tap a chord to hear it.
I – ♭II – I
A major tonic and the chord a half step above. This is the Spanish and Middle-Eastern sound.
I – ♭vii – ♭II – I
Home, the minor ♭vii, then the half-step ♭II, back to I. The ♭II falls back onto the major tonic.
Sus and extension chords from each chord
From D♭ you can go through the 2nd of the scale to sus2 and 9 chords, through the 4th to sus4 and 11, and so on. All seven chords of D♭ Phrygian dominant.
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Closest shape: leaves out a colour note.
Hover a bubble to see it here; click to hear it and keep it.
Hover a bubble to see it here; click to hear it and keep it.